Choose your age group, find a drill or prepare a session. The guides explain the sources and age-specific guidance.
Sources and overview
A free knowledge base built on the IJF rules in force since 22 February 2025, France Judo's Textes Officiels and national arbitrage 2025/2026, the Kodokan technical canon, and the Swiss (SJV) and German (DJB) youth deltas, each cited with its edition. Judo protects its young through a technique gate, not equipment: strangles and armlocks are forbidden below cadet (FR) or U18 (CH/DE), sacrifice throws are forbidden for the youngest — and ukemi, the mastered breakfall, is the belt-examined prerequisite of every throw.
Côté Coach · Judo
What the federations actually publish about youth judo
The IJF, France Judo, the SJV and the DJB side by side. The 2025 rules, age categories, the shime/kansetsu age floors, the osaekomi ladder, the belt-by-belt programme — sourced, dated, comparable.
30published drills
8guides
4federations compared
Pick an age group
Priorities change from one band to the next — and for the young the constraint is the technique gate: what the federation permits at that age, nothing else.
Do
Ukemi before everything: back, side, front and forward-rolling breakfalls — on the floor, then from a squat, then standing. It is the belt-examined content from white belt in the France Judo progression, and the sport's first prevention skill: in tournaments the throw injures, not the ground.
Judo through play: falling games, grip games, turnover games, agility courses — the animation formats the federation itself runs up to poussin (no elimination, participation first).
A complete ne-waza without submissions: pins (kesa-gatame first), turnovers in fundamental form, pin escapes — exactly the ground game the federations run at this age.
Avoid
Any strangle or armlock: forbidden at this age by every federation in the corpus (France Judo ≤ minime, SJV ≤ U15, DJB U12/U15). No « gentle » version is legal — the cell is empty by rule, not by omission.
Sutemi, makikomi and any head-first entry: forbidden through benjamin (France Judo arbitrage) — and the French paediatric series shows why: 31 % of under-15 injuries are fractures, and the clavicle accounts for ~72 % of them.
Introducing a throw before its breakfall is secure: the corpus's sequencing rule — every throw family waits for its ukemi. An o-goshi without a mastered mae-mawari-ukemi is an injury in preparation.
Do
Ashi-waza as the leading family: de-ashi-barai, o-uchi-gari, ko-uchi-gari — timing over force, the sweep landing as the opponent's foot unweights. It is the safest throwing family for building the attacking judo France Judo asks of minimes.
Uchi-komi that becomes nage-komi: static entries for form, then moving (tsugi-ashi), then with kuzushi — and the throw completed onto a secured breakfall. Kakari-geiko and yaku-soku-geiko bridge to randori.
Kumi-kata as a taught skill: the fundamental sleeve + lapel grip, keeping yours, breaking theirs — within the youth bounds (no cross-grip, no bear-hug, nothing below the belt).
Avoid
Still no strangle, no armlock: the gate stays closed (France Judo ≤ minime; DJB U12/U15; SJV ≤ U15). The ground game stays pin, turnover, escape, transition — already a complete tactical game.
The head to the mat: deliberately placing the head alone on the mat, attacking or defending, is a direct hansoku-make for minimes (France Judo arbitrage 2025/2026) — and any loss of consciousness ends the day, at every age.
Weight-cutting culture: in under-15s, losing more than 5 % of body weight OR being overweight are each documented injury risk factors (paediatric series, corpus 05). Weight is not a benjamin tactic.
Do
Open the gate properly: strangles and armlocks are trained from cadet (France Judo, ~14) — in Switzerland and Germany from ~15/U18. The introduction drill is technical and cooperative, the submission is applied slowly, and any still-minime judoka on the mat stays under the ban.
The standing-to-ground seam: follow the throw down without « admiring » it, take the pinning grip on the way down — the osaekomi ladder (yuko 5 s, waza-ari 10 s, ippon 20 s) makes every second legible.
2025 refereeing literacy: passivity window ~30 s (ne-waza activity counts), 3rd shido = hansoku-make, golden score where everything carries over and a 5-second pin is enough — learned in refereed practice shiai.
Avoid
The cadet-specific shidos: using the head to throw or defend = shido, reverse seoi-nage = shido, head-first diving = hansoku-make (IJF, 22 February 2025 edition). A senior instruction copied as-is is a refereeing fault for cadets.
Coaching from an outdated rules sheet: between 2017 and 2024 there was no yuko and no waza-ari-awasete-ippon — both are back since 22 February 2025. Always name the edition.
Forcing locks on growing elbows: the adolescent elbow's growth plates are documented at risk under hyperextension (corpus 05) — the federation gate exists for this reason; cadet kansetsu work stays slow, controlled, submission announced.
Do
The full curriculum: loaded uchi-komi, nage-komi, kakari-geiko, yaku-soku-geiko, randori — and the grip first: kumi-kata decides the throw (sleeve first, then lapel), and break-and-regrip denies the opponent's attack.
Golden-score behaviour: everything carries over, a pin ends it at the yuko threshold (5 s), passivity loses — attacking is the only profitable defence under the 2025 ruleset.
Kata as a discipline in its own right: five judges, top and bottom scores dropped, max 10 per technique, a forgotten technique or major mistake = 0 and a one-time halving of the total — transitions and ceremony rehearsed as much as the techniques.
Avoid
Scoring a randori like a shiai: randori has no winner and no score — it is free practice. Conflating the registers turns the learning tool into permanent competition, exactly what the federation method avoids.
Strangles for 60+ veterans: France Judo forbids them in competition for F7/M7 (60–64), F8/M8 and F9/M9 — a sourced adult gate the veterans session respects.
Teaching for pay outside the frame: in France, Article L212-1 of the Code du sport requires the state diploma (CQP-MAM, BPJEPS Judo-Jujitsu — arrêté of 5 February 2025 —, DEJEPS, DESJEPS) and the carte professionnelle; and only the CSDGE awards dan — a foreign dan is not state-recognised.
Session generator
Age band, duration, theme — and a minuted outline. The 30 drills trace to judo's published training canon (IJF, Kodokan, France Judo, SJV and DJB, cited by edition).
The drills
Filter by theme. The strangle/armlock gate (cadet FR / U18 CH-DE), the ukemi prerequisite and the randori ≠ shiai distinction are written into each drill's coaching points.
The generator above also lives inside the app, on the session itself: pick the age band, the duration and the theme, and Paak builds a five-block minuted outline from this same library of 30 drills — warm-up, two mains, a situational randori and a cool-down. Edit it, save it to the session — that is free. Printing the session sheet and club-authored drills beyond 5 are in Paak One.
A clear tatami · one free diagonal per judoka · start one at a time, in a line
What it trains
The forward rolling breakfall (mae-mawari-ukemi) as a game: roll along the diagonal and come up on the feet — learning to fall safely before any throw.
Published frame
Rounded back, chin tucked — never the head or a straight arm on the mat; slap with the whole forearm.
tori (executes)uke (receives)throw / techniquemovement
Set out
In pairs on a clear tatami · tori throws slowly and keeps hold of the sleeve · roles alternate
What it trains
Ukemi in a live setting: falling safely from a real but controlled throw — the bridge between solo breakfall practice and nage-komi.
Published frame
The held sleeve softens the fall — tori is responsible for the partner's landing.
tori (executes)movement
Set out
Each judoka in their own space · no equipment · rhythm set by voice or drum
What it trains
The tai-sabaki pivots from correct posture (shizei) — the body rotation that places every throw entry, repeated as a rhythmic warm-up game.
Published frame
The pivot foot stays under the body; the head leads the turn, the eyes find the new direction first.
tori (executes)uke (receives)movement
Set out
In pairs, facing at engagement distance · no equipment · the leader changes on the call
What it trains
Shintai — tsugi-ashi (sliding steps) and ayumi-ashi (walking steps) — mirrored: keeping posture and distance without a grip, the motor base of standing judo.
Published frame
The feet never cross in tsugi-ashi; the distance between the two stays constant — the follower reads the body, not the feet.
tori (executes)uke (receives)throw / technique
Set out
In pairs, fundamental sleeve-lapel grip · uke stable and cooperative · announced sets
What it trains
Uchi-komi for the safest young-band family — o-uchi-gari, ko-uchi-gari, de-ashi-barai: grooving kuzushi and tsukuri through repetition, without completing the throw.
Published frame
The entry repeats until it becomes one motion — the unbalance first, the foot after; never a neck constraint.
tori (executes)uke (receives)movementthrow / technique
Set out
In pairs gripped, moving freely on the tatami · uke gives a steady stepping rhythm
What it trains
Synchronising the entry to uke's step: moving uchi-komi is the link between the static form and the real throw — the entry launches as uke's foot lands.
Published frame
Timing beats speed: a correct entry on a slow step is worth more than a rushed entry off-beat.
tori (executes)uke (receives)throw / techniquemovement
Set out
In pairs · a thick crash mat laid on the tatami · tori/uke roles alternate each set
What it trains
Nage-komi: completing the throw — the kake — with confidence, the landing secured by the crash mat and by an uke who owns their ukemi.
Published frame
Control to the end is what makes the throw — the sleeve stays held, uke never flies without control.
In pairs gripped, light opposition · uke moves at a steady rhythm · roles alternate
What it trains
Sweep timing: de-ashi-barai launches as uke's advancing foot unweights — the leg family is timing, not force, and the safest of landings.
Published frame
Sweep with the sole, along the direction of the step — a forced sweep against a weighted foot never works.
uke (receives)tori (executes)coachmovement
Set out
In pairs on the ground, tori in kesa-gatame · the coach counts the pin ladder aloud
What it trains
Holding a pin under judo's real measure: the osaekomi ladder counted aloud makes every second legible — the whole of the young bands' permitted ne-waza.
Published frame
Chest heavy on uke, legs wide as a base — tori follows the escape attempts without ever giving up upper-body control.
uke (receives)tori (executes)throw / technique
Set out
In pairs · uke flat or on all fours defending · tori works the turnover then the pin
What it trains
Turning a defensive uke onto the back and fixing a pin — through arm and hip leverage, never a neck constraint: the turnover skill permitted at every age.
Published frame
The sankaku appears only in fundamental form, legs released for the pin — the reverse version is forbidden for the young.
tori (executes)uke (receives)movement
Set out
In pairs, tori sets the agreed pin · uke escapes against resistance that climbs in steps
What it trains
The defensive half of ne-waza: escaping each osaekomi — bridge, frames, position recovery — before the ladder count climbs.
Published frame
The bridge makes the space, the frames keep it — an early escape costs little, a late one costs everything.
tori (executes)uke (receives)throw / technique
Set out
In pairs, no throwing · establish your sleeve-lapel grip while denying the partner's · short rounds
What it trains
The opening battle of every exchange: who takes their dominant grip first — the sleeve that controls the arm, then the lapel that controls posture.
Published frame
Youth bounds written into the rule: no cross-grip, no bear-hug, nothing below the belt — any head grip is stopped.
tori (executes)uke (receives)throw / technique
Set out
In pairs · uke sets an agreed grip · tori breaks it and immediately re-establishes their own · roles alternate
What it trains
The constant negotiation that precedes the throw: stripping the opponent's grip and immediately re-establishing your own dominant grip — breaking without regripping wins nothing.
Published frame
The break and the regrip are one motion — a lingering free hand exposes you to the prolonged-free-hand sanction.
uke (receives)tori (executes)movement
Set out
In pairs on the ground, a fixed start position (e.g. one on all fours) · short rounds, roles alternate · never scored as a shiai
What it trains
Building turnovers, pins and escapes in a live setting: free ground practice from a fixed start — the ne-waza randori, with no winner and no score.
Published frame
Below the age gate no submission exists in this game — turn, hold, escape: the young bands’ complete ground game.
tori (executes)uke (receives)movementthrow / technique
Set out
In pairs, roles announced before each repetition · one technique at a time, slowly · correct etiquette, distance and timing
What it trains
The foundation of kata: role clarity — uke receives, tori executes — and slow criteria-focused repetition; uke's committed attack is what makes tori's technique judgeable.
Published frame
A soft uke empties the form — uke’s commitment is half the mark.
tori (executes)uke (receives)movementthrow / techniquecone
Set out
In pairs, start marks set facing each other · one Nage-no-kata series at a time · ceremony included
What it trains
The Nage-no-kata through segmentation: one series at a time, on both sides — the grade programme’s first formal kata, required of minimes and enriched toward the dan.
Published frame
Marks are lost in the transitions and the ceremony as much as in the techniques — the salute is rehearsed like a technique.
coachtori (executes)movement
Set out
The group spread over the tatami, each in their own space · the coach gives visual or verbal signals · no contact
What it trains
The reactive warm-up: moving in judo steps and changing direction on the coach's signal — alertness, posture and change of direction, without contact.
Published frame
Posture holds through the change of direction — the torso stays upright, the feet never cross.
tori (executes)uke (receives)throw / techniquethe other choice
Set out
In pairs gripped · uke reacts honestly to the first attack · the combination agreed, then free
What it trains
Renraku-waza: chaining two throws so the reaction to the first opens the second — ko-uchi-gari into seoi-nage, o-uchi-gari into tai-otoshi; a feint nobody respects opens nothing.
Published frame
The first attack must be real — it is what manufactures the second throw’s kuzushi.
tori (executes)uke (receives)throw / technique
Set out
In pairs · as soon as the grip is won, it is used immediately to unbalance · directions announced then free
What it trains
The junction between kumi-kata and nage-waza: a won grip that does not unbalance is a lost grip — the kuzushi launches within the second after the take.
Published frame
The eight directions of unbalance are the map — the throw lives in the direction where uke is weak at that instant.
tori (executes)uke (receives)throw / techniquemovement
Set out
In pairs · an agreed or defended throw · tori chains immediately into the ground fixation
What it trains
The standing-to-ground seam that decides many contests: following the throw without admiring it, the pinning grip taken on the way down — the two seconds after the throw.
Published frame
Below cadet the transition ends at the pin — never at a submission.
In Paak
These drills are in Paak
The generator is right on the session: plan by the players’ age band and the duration, pick a theme. Paak builds a minuted five-block outline — warm-up, two work blocks, a game and a cool-down — from this same library of 30 drills.
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